WILDE, Oscar

My Voice

Within this restless, hurried, modern world

We took our hearts’ full pleasure—You and I,

And now the white sails of our ship are furled,

And spent the lading of our argosy.

Wherefore my cheeks before their time are wan,

For very weeping is my gladness fled,

Sorrow hath paled my lip’s vermilion,

And Ruin draws the curtains of my bed.

But all this crowded life has been to thee

No more than lyre, or lute, or subtle spell

Of viols, or the music of the sea

That sleeps, a mimic echo, in the shell.


Impression – Le Reveillon

The sky is laced with fitful red,

The circling mists and shadows flee,

The dawn is rising from the sea,

Like a white lady from her bed.

And jagged brazen arrows fall

Athwart the feathers of the night,

And a long wave of yellow light

Breaks silently on tower and hall,

And spreading wide across the wold

Wakes into flight some fluttering bird,

And all the chestnut tops are stirred,

And all the branches streaked with gold.


Impressions - I. Les Silhouettes.

The sea is flecked with bars of grey

The dull dead wind is out of tune,

And like a withered leaf the moon

Is blown across the stormy bay.

Etched clear upon the pallid sand

The black boat lies: a sailor boy

Clambers aboard in careless joy

With laughing face and gleaming hand.

And overheard the curlews cry,

Where through the dusky upland grass

The young brown-throated reapers pass,

Like silhouettes against the sky.


Charmides
…..
And cried, 'Awake, already the pale moon

Washes the trees with silver, and the wave

Creeps grey and chilly up this sandy dune,

The croaking frogs are out, and from the cave

The nightjar shrieks, the fluttering bats repass,

And the brown stoat with hollow flanks

Creeps through the dusky grass.
…..


La Bella Donna Della Mia Mente

My limbs are wasted with a flame,

My feet are sore with travelling,

For calling on my Lady’s name

My lips have now forgot to sing.

O Linnet in the wild-rose brake

Strain for my Love thy melody,

O Lark sing louder for love’s sake,

My gentle Lady passeth by.

She is too fair for any man

To see or hold his heart’s delight,

Fairer than Queen or courtezan

Or moon-lit water in the night.

Her hair is bound with myrtle leaves,

(Green leaves upon her golden hair!)

Green grasses through the yellow sheaves

Of autumn corn are not more fair.

Her little lips, more made to kiss

Than to cry bitterly for pain,

Are tremulous as brook-water is,

Or roses after evening rain.

Her neck is like white melilote

Flushing for pleasure of the sun,

The throbbing of the linnet’s throat

Is not so sweet to look upon.

As a pomegranate, cut in twain,

White-seeded, is her crimson mouth,

Her cheeks are as the fading stain

Where the peach reddens to the south.

O twining hands! O delicate

White body made for love and pain!

O House of love! O desolate

Pale flower beaten by the rain!

Madonna Mia

A lily-girl, not made for this world's pain,

With brown, soft hair close braided by her ears,

And longing eyes half veiled by slumberous tears

Like bluest water seen through mists of rain:

Pale cheeks whereon no love hath left its stain,

Red underlip drawn in for fear of love,

And white throat, whiter than the silvered dove,

Through whose wan marble creeps one purple vein.

Yet, though my lips shall praise her without cease,

Even to kiss her feet I am not bold,

Being o'ershadowed by the wings of awe,

Like Dante, when he stood with Beatrice

Beneath the flaming Lion's breast, and saw.

Ave Imperatrix
…..
“O wandering graves! O restless sleep!

O silence of the sunless day!

O still ravine! O stormy deep!

Give up your prey! Give up your prey!
…..


Magdalen walks

The little white clouds are racing over the sky,

And the fields are strewn with the gold of the flower of March,

The daffodil breaks under foot, and the tasselled larch

Sways and swings as the thrush goes hurrying by.

A delicate odour is borne on the wings of the morning breeze,

The odour of deep wet grass, and of brown new-furrowed earth,

The birds are singing for joy of the Spring's glad birth,

Hopping from branch to branch on the rocking trees.

And all the woods are alive with the murmur and sound of Spring,

And the rose-bud breaks into pink on the climbing briar,

And the crocus-bed is a quivering moon of fire

Girdled round with the belt of an amethyst ring.

And the plane to the pine-tree is whispering some tale of love

Till it rustles with laughter and tosses its mantle of green,

And the gloom of the wych-elm's hollow is lit with the iris sheen

Of the burnished rainbow throat and the silver breast of a dove.

See! the lark starts up from his bed in the meadow there,

Breaking the gossamer threads and the nets of dew,

And flashing adown the river, a flame of blue!

The kingfisher flies like an arrow, and wounds the air.


Easter Day

The silver trumpets rang across the Dome:

The people knelt upon the ground with awe:

And borne upon the necks of men I saw,

Like some great God, the Holy Lord of Rome.

Priest-like, he wore a robe more white than foam,

And, king-like, swathed himself in royal red,

Three crowns of gold rose high upon his head:

In splendor and in light the Pope passed home.

My heart stole back across wide wastes of years

To One who wandered by a lonely sea,

And sought in vain for any place of rest:

"Foxes have holes, and every bird its nest,

I, only I, must wander wearily,

And bruise my feet, and drink wine salt with tears."


Urbs Sacra Aeterna

Rome! what a scroll of History thine has been;

In the first days thy sword republican

Ruled the whole world for many an age's span:

Then of the peoples wert thou royal Queen,

Till in thy streets the bearded Goth was seen;

And now upon thy walls the breezes fan

(Ah, city crowned by God, discrowned by man!)

The hated flag of red and white and green.

When was thy glory! when in search for power

Thine eagles flew to greet the double sun,

And the wild nations shuddered at thy rod?

Nay, but thy glory tarried for this hour,

When pilgrims kneel before the Holy One,

The prisoned shepherd of the Church of God.


Her Voice

THE wild bee reels from bough to bough

With his furry coat and his gauzy wing.

Now in a lily-cup, and now

Setting a jacinth bell a-swing,

In his wandering;

Sit closer love: it was here I trow

I made that vow,

Swore that two lives should be like one

As long as the sea-gull loved the sea,

As long as the sunflower sought the sun,—

It shall be, I said, for eternity

’Twixt you and me!

Dear friend, those times are over and done,

Love’s web is spun.

Look upward where the poplar trees

Sway and sway in the summer air,

Here in the valley never a breeze

Scatters the thistledown, but there

Great winds blow fair

From the mighty murmuring mystical seas,

And the wave-lashed leas.

Look upward where the white gull screams,

What does it see that we do not see?

Is that a star? or the lamp that gleams

On some outward voyaging argosy,—

Ah! can it be

We have lived our lives in a land of dreams!

How sad it seems.

Sweet, there is nothing left to say

But this, that love is never lost,

Keen winter stabs the breasts of May

Whose crimson roses burst his frost,

Ships tempest-tossed

Will find a harbour in some bay,

And so we may.

And there is nothing left to do

But to kiss once again, and part,

Nay, there is nothing we should rue,

I have my beauty,—you your Art,

Nay, do not start,

One world was not enough for two

Like me and you.

The Ballad of Reading Gaol
…..
He did not wear his scarlet coat,

For blood and wine are red,

And blood and wine were on his hands

When they found him with the dead,

The poor dead woman whom he loved,

And murdered in her bed.

He walked amongst the Trial Men

In a suit of shabby grey;

A cricket cap was on his head,

And his step seemed light and gay;

But I never saw a man who looked

So wistfully at the day.

I never saw a man who looked

With such a wistful eye

Upon that little tent of blue

Which prisoners call the sky,

And at every drifting cloud that went

With sails of silver by.

I walked, with other souls in pain,

Within another ring,

And was wondering if the man had done

A great or little thing,

When a voice behind me whispered low,

“That fellows got to swing.”

Dear Christ! the very prison walls

Suddenly seemed to reel,

And the sky above my head became

Like a casque of scorching steel;

And, though I was a soul in pain,

My pain I could not feel.

I only knew what hunted thought

Quickened his step, and why

He looked upon the garish day

With such a wistful eye;

The man had killed the thing he loved

And so he had to die.

Yet each man kills the thing he loves

By each let this be heard,

Some do it with a bitter look,

Some with a flattering word,

The coward does it with a kiss,

The brave man with a sword!

…..

Some kill their love when they are young,

And some when they are old;

Some strangle with the hands of Lust,

Some with the hands of Gold:

The kindest use a knife, because

The dead so soon grow cold.

Some love too little, some too long,

Some sell, and others buy;

Some do the deed with many tears,

And some without a sigh:

For each man kills the thing he loves,

Yet each man does not die.

He does not die a death of shame

On a day of dark disgrace,

Nor have a noose about his neck,

Nor a cloth upon his face,

Nor drop feet foremost through the floor

Into an empty place

He does not sit with silent men

Who watch him night and day;

Who watch him when he tries to weep,

And when he tries to pray;

Who watch him lest himself should rob

The prison of its prey.

He does not wake at dawn to see

Dread figures throng his room,

The shivering Chaplain robed in white,

The Sheriff stern with gloom,

And the Governor all in shiny black,

With the yellow face of Doom.

He does not rise in piteous haste

To put on convict-clothes,

While some coarse-mouthed Doctor gloats, and notes

Each new and nerve-twitched pose,

Fingering a watch whose little ticks

Are like horrible hammer-blows.

He does not know that sickening thirst

That sands one's throat, before

The hangman with his gardener's gloves

Slips through the padded door,

And binds one with three leathern thongs,

That the throat may thirst no more.

…..


Requiescat

Tread lightly, she is near

Under the snow,

Speak gently, she can hear

The daisies grow.

All her bright golden hair

Tarnished with rust,

She that was young and fair

Fallen to dust.

Lily-like, white as snow,

She hardly knew

She was a woman, so

Sweetly she grew.

Coffin-board, heavy stone,

Lie on her breast,

I vex my heart alone,

She is at rest.

Peace, peace, she cannot hear

Lyre or sonnet,

All my life's buried here,

Heap earth upon it.


The Dole of the King's Daughter

Seven stars in the still water,
And seven in the sky;
Seven sins on the King's daughter,
Deep in her soul to lie.

Red roses at her feet,
(Roses are red in her red-gold hair)
And O where her bosom and girdle meet
Red roses are hidden there.

Fair is the knight who lieth slain
Amid the rush and reed,
See the lean fishes that are fain
Upon dead men to feed.

Sweet is the page that lieth there,
(Cloth of gold is goodly prey,)
See the black ravens in the air,
Black, O black as the night are they.

What do they there so stark and dead?
(There is blood upon her hand)
Why are the lilies flecked with red?
(There is blood on the river sand.)

There are two that ride from the south to the east,
And two from the north and west,
For the black raven a goodly feast,
For the King's daughter to rest.

There is one man who loves her true,
(Red, O red, is the stain of gore!)
He hath duggen a grave by the darksome yew,
(One grave will do for four.)

No moon in the still heaven,
In the black water none,
The sins on her soul are seven,
The sin upon his is one.


The Sphinx

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn's gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian's gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple's granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust? What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal breasts?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered slope
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple's triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile! Did you
love none then? Nay, I know
Great Ammon was your bedfellow! He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand: he reached
the valley where you lay:
He waited till the dawn of day: then touched
your black breasts with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne: you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow! Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits' span and coloured
like that yellow gem
Which hidden in their garment's hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords: young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon's
altar day and night,
Ten hundred lamps did wave their light through
Ammon's carven house - and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild ass or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there: deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow! And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren loins!

Away to Egypt! Have no fear. Only one
God has ever died.
Only one God has let His side be wounded by a
soldier's spear.

But these, thy lovers, are not dead. Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know. They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth! And so,

Set wings upon your argosies! Set horses to
your ebon car!
Back to your Nile! Or if you are grown sick of
dead divinities

Follow some roving lion's spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate breasts!

Why are you tarrying? Get hence! I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away! The sulphur-coloured stars are hurrying
through the Western gate!
Away! Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student's cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery! Hideous
animal, get hence!
You wake in me each bestial sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx! False Sphinx! By reedy Styx
old Charon, leaning on his oar,
Waits for my coin. Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.