BISHOP, Elizabeth


The Shampoo

The still explosions on the rocks,

the lichens, grow

by spreading, gray, concentric shocks.

They have arranged

to meet the rings around the moon, although

within our memories they have not changed.

And since the heavens will attend

as long on us,

you've been, dear friend,

precipitate and pragmatical;

and look what happens. For Time is

nothing if not amenable.

The shooting stars in your black hair

in bright formation

are flocking where,

so straight, so soon?

--Come, let me wash it in this big tin basin,

battered and shiny like the moon.


One Art

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster,

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.

- Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.


The Armadillo

For Robert Lowell

This is the time of year

when almost every night

the frail, illegal fire balloons appear.

Climbing the mountain height,

rising toward a saint

still honored in these parts,

the paper chambers flush and fill with light

that comes and goes, like hearts.

Once up against the sky it’s hard

to tell them from the stars—

planets, that is—the tinted ones:

Venus going down, or Mars,

or the pale green one. With a wind,

they flare and falter, wobble and toss;

but if it’s still they steer between

the kite sticks of the Southern Cross,

receding, dwindling, solemnly

and steadily forsaking us,

or, in the downdraft from a peak,

suddenly turning dangerous.

Last night another big one fell.

It splattered like an egg of fire

against the cliff behind the house.

The flame ran down. We saw the pair

of owls who nest there flying up

and up, their whirling black-and-white

stained bright pink underneath, until

they shrieked up out of sight.

The ancient owls’ nest must have burned.

Hastily, all alone,

a glistening armadillo left the scene,

rose-flecked, head down, tail down,

and then a baby rabbit jumped out,

short-eared, to our surprise.

So soft!—a handful of intangible ash

with fixed, ignited eyes.

Too pretty, dreamlike mimicry!

O falling fire and piercing cry

and panic, and a weak mailed fist

clenched ignorant against the sky!


Filling Station

Oh, but it is dirty!
--this little filling station,
oil-soaked, oil-permeated
to a disturbing, over-all
black translucency.
Be careful with that match!

Father wears a dirty,
oil-soaked monkey suit
that cuts him under the arms,
and several quick and saucy
and greasy sons assist him
(it's a family filling station),
all quite thoroughly dirty.

Do they live in the station?
It has a cement porch
behind the pumps, and on it
a set of crushed and grease-
impregnated wickerwork;
on the wicker sofa
a dirty dog, quite comfy.

Some comic books provide
the only note of color--
of certain color. They lie
upon a big dim doily

draping a taboret
(part of the set), beside
a big hirsute begonia.

Why the extraneous plant?
Why the taboret?
Why, oh why, the doily?
(Embroidered in daisy stitch
with marguerites, I think,
and heavy with gray crochet.)

Somebody embroidered the doily.
Somebody waters the plant,
or oils it, maybe. Somebody
arranges the rows of cans
so that they softly say:
ESSO--SO--SO--SO

to high-strung automobiles.
Somebody loves us all.


The Fish

I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.
He didn’t fight.
He hadn’t fought at all.
He hung a grunting weight,
battered and venerable
and homely . Here and there
his brown skin hung in strips
like ancient wallpaper,
and its pattern of darker brown
was like wallpaper:
shapes like full-blown roses
stained and lost through age.
He was speckled with barnacles,
fine rosettes of lime,
and infested
with tiny white sea-lice,
and underneath two or three
rags of green weed hung down.
While his gills were breathing in
the terrible oxygen
— the frightening gills,
fresh and crisp with blood,
that can cut so badly —
I thought of the coarse white flesh
packed in like feathers,
the big bones and the little bones,
the dramatic reds and blacks
of his shiny entrails,
and the pink swim-bladder
like a big peony.
I looked into his eyes

which were far larger than mine
but shallower, and yellowed,
the irises backed and packed
with tarnished tinfoil
seen through the lenses
of old scratched isinglass .
They shifted a little, but not
to return my stare.
— It was more like the tipping
of an object toward the light.
I admired his sullen face,
the mechanism of his jaw,
and then I saw
that from his lower lip
— if you could call it a lip
grim, wet, and weaponlike,
hung five old pieces of fish-line,
or four and a wire leader
with the swivel still attached,
with all their five big hooks

grown firmly in his mouth.
A green line, frayed at the end
where he broke it, two heavier lines,
and a fine black thread
still crimped from the strain and snap
when it broke and he got away.
Like medals with their ribbons
frayed and wavering,
a five-haired beard of wisdom
trailing from his aching jaw.
I stared and stared
and victory filled up
the little rented boat,
from the pool of bilge
where oil had spread a rainbow
around the rusted engine
to the bailer rusted orange,
the sun-cracked thwarts ,
the oarlocks on their strings,
the gunnels — until everything
was rainbow, rainbow, rainbow!
And I let the fish go.