DICKENS, Charles

Great Expectations

…..
Out of my thoughts! You are part of my existence, part of myself. You have been in every line I have ever read, since I first came here, the rough common boy whose poor heart you wounded even then. You have been in every prospect I have ever seen since – on the river, on the sails of the ships, on the marshes, in the clouds, in the light, in the darkness, in the wind, in the woods, in the sea, in the streets. You have been the embodiment of every graceful fancy that my mind has ever become acquainted with. The stones of which the strongest London buildings are made, are not more real, or more impossible to displace with your hands, than your presence and influence have been to me, there and everywhere, and will be. Estella, to the last hour of my life, you cannot choose but remain part of my character, part of the little good in me, part of the evil. But, in this separation I associate you only with the good, and I will faithfully hold you to that always, for you must have done me far more good than harm, let me feel now what sharp distress I may. O God bless you, God forgive you!

.
…..
Look'ee here, Pip. I'm your second father. You're my son - more to me nor any son. I've put away money, only for you to spend. When I was a hired-out shepherd in a solitary hut, not seeing no faces but faces of sheep till I half forgot wot men's and women's faces wos like, I see yourn. I drops my knife many a time in that hut when I was a-eating my dinner or my supper, and I says, 'Here's the boy again, a-looking at me whiles I eats and drinks!' I see you there a many times, as plain as ever I see you on them misty marshes. 'Lord strike me dead!' I says each time - and I goes out in the air to say it under the open heavens - 'but wot, if I gets liberty and money, I'll make that boy a gentleman!' And I done it. Why, look at you, dear boy! Look at these here lodgings o'yourn, fit for a lord! A lord? Ah! You shall show money with lords for wagers, and beat 'em!"

In his heat and triumph, and in his knowledge that I had been nearly fainting, he did not remark on my reception of all this. It was the one grain of relief I had.

"Look'ee here!" he went on, taking my watch out of my pocket, and turning towards him a ring on my finger, while I recoiled from his touch as if he had been a snake, "a gold 'un and a beauty: that's a gentleman's, I hope! A diamond all set round with rubies; that's a gentleman's, I hope! Look at your linen; fine and beautiful! Look at your clothes; better ain't to be got! And your books too," turning his eyes round the room, "mounting up, on their shelves, by hundreds! And you read 'em; don't you? I see you'd been a reading of 'em when I come in. Ha, ha, ha! You shall read 'em to me, dear boy! And if they're in foreign languages wot I don't understand, I shall be just as proud as if I did."

Again he took both my hands and put them to his lips, while my blood ran cold within me.

"Don't you mind talking, Pip," said he, after again drawing his sleeve over his eyes and forehead, as the click came in his throat which I well remembered - and he was all the more horrible to me that he was so much in earnest; "you can't do better nor keep quiet, dear boy. You ain't looked slowly forward to this as I have; you wosn't prepared for this, as I wos. But didn't you never think it might be me?"
…..


David Copperfield

……
An aunt of my father's, and consequently a great-aunt of mine, of whom I shall have more to relate by-and-by, was the principal magnate of our family. Miss Trotwood, or Miss Betsey, as my poor mother always called her, when she sufficiently overcame her dread of this formidable personage to mention her at all (which was seldom), had been married to a husband younger than herself, who was very handsome, except in the sense of the homely adage, "handsome is, that handsome does" -- for he was strongly suspected of having beaten Miss Betsey, and even of having once, on a disputed question of supplies, made some hasty but determined arrangements to throw her out of a two pair of stairs' window. These evidences of an incompatibility of temper induced Miss Betsey to pay him off, and effect a separation by mutual consent. He went to India with his capital, and there, according to a wild legend in our family, he was once seen riding on an elephant, in company with a Baboon; but I think it must have been a Baboo -- or a Begum. Anyhow, from India tidings of his death reached home, within ten years. How they affected my aunt, nobody knew; for immediately after the separation she took her maiden name again, bought a cottage in a hamlet on the sea-coast a long way off, established herself there as a single woman with one servant, and was understood to live secluded, ever afterwards, in an inflexible retirement.

My father had once been a favourite of hers, I believe; but she was mortally affronted by his marriage, on the ground that my mother was "a wax doll." She had never seen my mother, but she knew her to be not yet twenty. My father and Miss Betsey never met again. He was double my mother's age when he married, and of but a delicate constitution. He died a year afterwards, and, as I have said, six months before I came into the world.

This was the state of matters, on the afternoon of, what I may be excused for calling, that eventful and important Friday. I can make no claim therefore to have known, at that time, how matters stood; or to have any remembrance, founded on the evidence of my own senses, of what follows.

My mother was sitting by the fire, but poorly in health, and very low in spirits, looking at it through her tears, and desponding heavily about herself and the fatherless little stranger, who was already welcomed by some grosses of prophetic pins, in a drawer up-stairs, to a world not at all excited on the subject of his arrival; my mother, I say, was sitting by the fire, that bright, windy March afternoon, very timid and sad, and very doubtful of ever coming alive out of the trial that was before her, when, lifting her eyes as she dried them, to the window opposite, she saw a strange lady coming up the garden.

My mother had a sure foreboding at the second glance, that it was Miss Betsey. The setting sun was glowing on the strange lady, over the garden-fence, and she came walking up to the door with a fell rigidity of figure and composure of countenance that could have belonged to nobody else.

When she reached the house, she gave another proof of her identity. My father had often hinted that she seldom conducted herself like any ordinary Christian; and now, instead of ringing the bell, she came and looked in at that identical window, pressing the end of her nose against the glass to that extent, that my poor dear mother used to say it became perfectly flat and white in a moment.

She gave my mother such a turn, that I have always been convinced I am indebted to Miss Betsey for having been born on a Friday.

My mother had left her chair in her agitation, and gone behind it in the corner. Miss Betsey, looking round the room, slowly and inquiringly, began on the other side, and carried her eyes on, like a Saracen's head in a Dutch clock, until they reached my mother. Then she made a frown and a gesture to my mother, like one who was accustomed to be obeyed, to come and open the door. My mother went.

"Mrs. David Copperfield, I think," said Miss Betsey; the emphasis referring, perhaps, to my mother's mourning weeds, and her condition.

…..


Oliver Twist

…..
The room in which the boys were fed, was a large stone hall, with a copper at one end, out of which the master, dressed in an apron for the purpose, and assisted by one or two women, ladled the gruel at mealtimes. Of which composition each boy had one porringer, and no more except on occasions of great public rejoicing, when he had two ounces and a quarter of bread besides. The bowls never wanted washing. The boys polished them with their spoons til they shown again; and when they had performed this operation (which never took very long, the spoons being nearly as large as the bowls), they would sit staring at the copper with such eager eyes as if they could have devoured the very bricks of which it was composed; employing themselves, meanwhile, in sucking their fingers most assiduously, with the view of catching up any stray splashes of gruel that might have been cast thereon. Boys have generally excellent appetites. Oliver Twist and his companions suffered the tortures of slow starvation for three months: at last they got so voracious and wild with hunger, that one boy, who was tall for his age, and hadn't been used to that sort of thing (for his father had kept a small cookshop), hinted darkly to his companions, that unless he had another basin of gruel per diem , he was afraid he might some night happen to eat the boy who slept next to him, who happened to be a weakly youth of tender age. He had a wild, hungry eye; and they implicitly believed him. A council was held; lots were cast who should walk up to the master after supper that evening, and ask for more; and it fell to Oliver Twist.

The evening arrived; the boys took their places. The master, in his cook's uniform, stationed himself at the copper, his pauper assistants arranged themselves behind him; the gruel was served out; and a long grace was said over the short commons. The gruel disappeared; the boys whispered to each other, and winked at Oliver; while his next neighbors nudged him. Child as he was, he was desperate with hunger, and reckless with misery. He rose from the table, and advancing to the master, basin and spoon in hand, said, somewhat alarmed at his own temerity:

"Please, sir, I want some more." The master was a fat, healthy man; but he turned very pale. He gazed in stupefied astonishment on the small rebel for some seconds, and then clung for support to the copper. The assistants were paralyzed with wonder; the boys with fear.

"What!" said the master at length, in a faint voice.

"Please, sir," replied Oliver. "I want some more."

The master aimed a blow at Oliver's head with the ladle; pinioned him in his arms; shrieked aloud for the beadle.

The Board were sitting in solemn conclave, when Mr. Bumble rushed into the room in great excitement, and addressing the gentleman in the high chair, said:

"Mr. Limbkins, I beg your pardon, sir! Oliver Twist has asked for more!"

There was a general start. Horror was depicted on every countenance.

"For more !" said Mr. Limbkins, "Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?"

"He did, sir," replied Bumble.

"That boy will be hung," said the gentleman in the white waistcoat; "I know that boy will be hung."

Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the gate, offering a reward of five pounds to anybody who would take Oliver Twist off the hands of the parish. In other words, five pounds and Oliver Twist were offered to any man or woman who wanted an apprentice to any trade, business, or calling.

"I never was more convinced of anything in my life," said the gentleman in the white waistcoat, as he knocked at the gate and read the bill next morning: "I never was more convinced of anything in my life, than I am that that boy will come to be hung."

As I purpose to show in the sequel whether the white-waistcoated gentleman was right or not, I should perhaps mar the interest of this narrative (supposing it to possess any at all), if I ventured to hint just yet, whether the life of Oliver Twist had this violent termination or no.

…..


Hard Times

…..
" N ow, what I want is Facts. Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else. You can only form the minds of reasoning animals upon Facts; nothing else will ever be of any service to them. This is the principle on which I bring up these children. Stick to Facts, sir!"

The scene was a plain, bare monotonous vault of a schoolroom. . . . The speaker, and the schoolmaster, and the third grown person present, all backed a little, and swept with their eyes the inclined plane of little vessels (the pupils) then and there arranged in order, ready to have imperial gallons of facts poured into them until they were full to the brim. . . .

"Girl number twenty," said Mr. Gradgrind (the schoolmaster). . . . "Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.)

"Girl number twenty unable to define a horse!" said Mr. Gradgrind . . . .

"Bitzer," said Thomas Gradgrind, "Your definition of a horse."

"Quadraped. Gramnivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve

incisive. Sheds coat in the spring; in marshy countries, sheds hoofs too. Hoofs hard, but requiring to be shod with iron. Age known by marks in the mouth."

". . . Now, girl number twenty," said Mr. Gradgrind. "You know what a horse is. . . . Now let me ask you, girls and boys, would you paper a room with representations of horses?"

After a pause. . . one half of the children cried in chorus, "Yes, sir!" Upon which the other, seeing that "Yes" was wrong, cried out in chorus, "No, sir!" as is the custom in these examinations. . . .

"I'll explain to you, then, why you wouldn't paper a room with representation of horses. Do you ever see horses walking up and down the sides of rooms in reality In fact? Do you?"

"Yes, sir!" from one half. "No, sir!" from the other.

"Of course, No. Why, then, you are not to see anywhere what you don't see in fact, you are not to have anywhere what you don't have in fact. What is called Taste, is only another name for Fact. . . . "

"You are to be in all things regulated and governed . . . by fact. We hope to have before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornaments, what would be a contradiction in fact. You don't walk upon flowers in fact; (therefore), you cannot be allowed to walk upon flowers in carpets. You don't find foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrapeds represented upon walls. You must use . . . for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."

…..


Bleak House

…..
M rs. Pardiggle, leading the way with a great show of moral determination, and talking with much volubility about the untidy habits of the people (though I doubted if the best of us could have been tidy in such a place), conducted us into a cottage at the farthest corner, the ground floor room of which we nearly filled. Besides ourselves, there were in this damp offensive room a woman with a black eye, nursing a poor little gasping baby by the fire; a man, stained with clay and mud, and looking very dissipated, lying at full length on the ground, smoking a pipe; a powerful young man, fastening a collar on a dog; and a bold girl, doing some kind of washing in very dirty water. They all looked up at us as we came in, and the woman seemed to turn her face toward the fire, as if to hide her bruised eye; nobody gave us any welcome. . . .

"Well, my friends," said Mrs. Pardiggle; but her voice had not a friendly sound, I thought; it was much too business-like and systematic. "How do you do, all of you? I am here again. I told you, you couldn't tire of me, you know. I am fond of hard work, and am true to my word."

"There ain't," growled the man on the floor, whose head rested on his hand as he stared at us, "any more of you to come in, is there?"

"No, my friend," said Mrs. Pardiggle, seating herself on one stool and knocking down another. "We are all here."

"Because I thought there warn't enough of you, perhaps?" said the man, with his pipe between his lips as he looked round upon us.

The young man and the girl both laughed. Two friends of the young man, whom we had attracted to the doorway and who stood there with their hands in their pockets, echoed the laugh noisily.

"You can't tire me, good people," said Mrs. Pardiggle to these latter. "I enjoy hard work, and harder you make mine, the better I like it."

"Then make it easy for her!" growled the man upon the floor. "I wants it done, and over. I wants a end of these liberties took with my place. I wants a end of being frawed like a badger. Now you're a-going to pollpry and question according to custom I know what you're a-going to be up to. Well! You haven't got no occasion to be up to it. I'll save you the trouble. Is my daughter a-washin? Yes, she is a-washin. Look at the water. Smell it! That's wot we drinks. How do you like it, and wat do you think of gin, instead? Ain't my place dirty? Yes, it is dirty - It's nat'rally onwholesome; and we've had five dirty and onwholesome children, as is all dead infants, and so much better for them, and for us besides. Have I read the little book wot you left? No, I ain't read the little book wot you left. There an't nobody here as knows how to read it: and if there wos, it wouldn't be suitable for me. Its a book fit for a babby [baby] and I'm not a babby. If you was to leave me a doll, I shouldn't nuss it. How have I been conducting of myself? Why, I've been drunk for three days; and I'd a been drunk four, if I'da had the money. Don't I never mean for to go to church? No, I don't never mean to go to church. I shouldn't be expected there, if I did. The beadle's [parish officer] too gen-teel for me. And how did my wife get that black eye? Why, I giv it her; and if she says I didn't, she's a lie!"

He had pulled the pipe out of his mouth to say all of this, and he now turned over on his other side and smoked again. Mrs. Pardiggle, who had been regarding him through her spectacles with forcible

composure, calculated, I could not help thinking, to increase his antagonism, pulled out a good book, as if it were a constable's staff and took the whole family into custody. I mean into religious custody, of course; but she really did it as if she were an inexorable moral policeman carrying them all off to a stationhouse. Ada and I were very uncomfortable. We both felt intrusive and out of place, and we both thought that Mrs. Pardiggle would have got on infinitely better if she had not had such a mechanical way of taking possession of people. . . . We both felt painfully sensible that between us and these people there was an iron barrier which could not be removed by our new friend. By whom or how it could be removed, we did not know, but we knew that.

…..


A tale of two cities

…..
Book 3 - The Track of a Storm

Chapter 15 - The Footsteps Die Out For Ever

…..
ALONG THE PARIS STREETS, the death-carts rumble, hollow and harsh. Six tumbrils carry the day's wine to La Guillotine. All the devouring and insatiate Monsters imagined since imagination could record itself, are fused in the one realisation, Guillotine. And yet there is not in France, with its rich variety of soil and climate, a blade, a leaf, a root, a sprig, a peppercorn, which will grow to maturity under conditions more certain than those that have produced this horror. Crush humanity out of shape once more, under similar hammers, and it will twist itself into the same tortured forms. Sow the same seed of rapacious license and oppression over again, and it will surely yield the same fruit according to its kind.

Six tumbrils roll along the streets. Change these back again to what they were, thou powerful enchanter, Time, and they shall be seen to be the carriages of absolute monarchs, the equipages of feudal nobles, the toilettes of flaring Jezebels, the churches that are not my father's house but dens of thieves, the huts of millions of starving peasants! No; the great magician who majestically works out the appointed order of the Creator, never reverses his transformations. "If thou be changed into this shape by the will of God," say the seers to the enchanted, in the wise Arabian stories, "then remain so! But, if thou wear this form through mere passing conjuration, then resume thy former aspect!" Changeless and hopeless, the tumbrils roll along.

As the sombre wheels of the six carts go round, they seem to plough up a long crooked furrow among the populace in the streets. Ridges of faces are thrown to this side and to that, and the ploughs go steadily onward. So used are the regular inhabitants of the houses to the spectacle, that in many windows there are no people, and in some the occupation of the hands is not so much as suspended, while, the eyes survey the faces in the tumbrils. Here and there, the inmate has visitors to see the sight; then he points his finger, with something of the complacency of a curator or authorised exponent, to this cart and to this, and seems to tell who sat here yesterday, and who there the day before.

Of the riders in the tumbrils, some observe these things, and all things on their last roadside, with an impassive stare; others, with a lingering interest in the ways of life and men. Some, seated with drooping heads, are sunk in silent despair; again, there are some so heedful of their looks that they cast upon the multitude such glances as they have seen in theatres, and in pictures. Several close their eyes, and think, or try to get their straying thoughts together. Only one, and he a miserable creature, of a crazed aspect, is so shattered and made drunk by horror, that he sings, and tries to dance. Not one of the whole number appeals by look or gesture, to the pity of the people.

There is a guard of sundry horsemen riding abreast of the tumbrils, and faces are often turned up to some of them, and they are asked some question. It would seem to be always the same question, for, it is always followed by a press of people towards the third cart. The horsemen abreast of that cart, frequently point out one man in it with their swords. The leading curiosity is, to know which is he; he stands at the back of the tumbril with his head bent down, to converse with a mere girl who sits on the side of the cart, and holds his hand. He has no curiosity or care for the scene about him, and always speaks to to the girl. Here and there in the long street of St. Honore, cries are raised against him. If they move him at all, it is only to a quiet smile, as he shakes his hair a little more loosely about his face. He cannot easily touch his face, his arms being bound.

…..